Leonard Huxley and Julia Arnold.
And, being a novelist, I consider myself superior to the saint, the scientist, the philosopher, and the poet, who are all great masters of different bits of man alive, but never get the whole hog.
Only in the novel are all things given full play. For, like the novel, the essay is a literary device for saying almost everything about almost anything. By tradition, almost by definition, the essay is a short piece, and it is therefore impossible to give all things full play within the limits of a single essay.
But a collection of essays can cover almost as much ground, and cover it almost as thoroughly as can a long novel. Essays belong to a literary species whose extreme variability can be studied most effectively within a three-poled frame of reference.
There is the pole of the personal and the autobiographical; there is the pole of the objective, the factual, the concrete Aldous huxley essayist and there is the pole of the abstract-universal.
There are the predominantly personal essayists, who write fragments of reflective autobiography and who look at the world through the keyhole of anecdote and description.
There are the predominantly objective essayists who do not speak directly of themselves, but turn their attention outward to some literary or scientific or political theme. Their art consists in setting forth, passing judgment upon, and drawing general conclusions from, the relevant data.
In a third group we find those essayists who do their work in the world of high abstractions, who never condescend to be personal and who hardly deign to take notice of the particular facts, from which their generalizations were originally drawn.
Each kind of essay has its special merits and defects. The personal essayists may be as good as Charles Lamb at his best, or as bad as Mr. X at his cutest and most self-consciously whimsical. The objective essay may be as lively, as brassily contentious as a piece by Macaulay; but it may also, with fatal ease, degenerate into something merely informative or, if it be critical, into something merely learned and academic.
And how splendid, how truly oracular are the utterances of the great generalizes! It recedes as fast on one side as it gains on the other.
For everything that is given, something is taken.
The sage has one advantage: If this is not his century, many others will be. The constantly abstract, constantly impersonal essayist is apt to give us not oracles but algebra. It is worth remarking that French literature has a tradition of high and sustained abstraction; English literature has not.
Works that in French are not at all out of the common seem, when translated, strange almost to the point of absurdity. But even when made acceptable by tradition and a great talent, the algebraic style strikes us as being very remote from the living reality of our immediate experience.
Certain peoples lose themselves in their thoughts, but for the Greeks all things are forms. We retain only their relations and, enclosed, as it were, in the limpid day, Orpheus like we build, by means of the word, temples of wisdom and science that may suffice for all reasonable creatures.The English novelist and essayist Aldous Leonard Huxley, b.
July 26, , d. Nov. 22, , a member of a distinguished scientific and literary family, intended to study medicine, but was prevented by an eye ailment that almost blinded him at the age of Aldous Huxley was born in Godalming, Surrey on July 26, , into a well-to-do upper-middle-class family.
His father, Leonard Huxley, was a biographer, editor, and poet.
He first studied at Eton College, Berkshire (). All twenty-one of Aldous Huxley’s short stories, ranging from the five pages of “The Bookshop” and the six pages of “Fard” to the thirty-eight pages of “Happily Ever After” and.
Aldous Huxley was not simply the author of 'Brave New World ' one of the visionary ' novels' of the century, he was also a superb essayist. In this collection he writes with intelligence and verve about Literature, Politics, Nature, Travel, Love, Sex and Beauty,Painting, /5(5). Aldous Huxley’s A Brave New World A Brave New World is a thrilling combination of both malicious and brilliant morals and symbols.
This “Brave New World” is a dystopian society set in A.D. or A.F. Aldous Huxley (), English novelist and critic, best known for his dystopian novel Brave New World (). Besides novels he published travel books, histories, poems, plays, and essays on philosophy, arts, sociology, religion and morals/5(1).